METAGloading reel

One sentence. Make a video.

Give METAG a URL or a sentence. It storyboards and quotes first — nothing is charged until you approve. Your raw footage is processed in your browser and never uploaded. 1 credit per shot on our own engine.

Quote — URL to film

  1. Homepage grab · hero visual — local · 1 credit
  2. Claim one · site copy verbatim — local · 1 credit
  3. Claim two · site copy verbatim — local · 1 credit
  4. Call to action · lands on the button — local · 1 credit

Total: 4 credits · Approve to charge

Sample quote, real per-shot prices. Nothing is charged until you confirm — in the product too.

Watch the whole film before you pay for it.

A quote tells you what it costs. This tells you what you're getting — the harder question.

  1. Say one sentence — Seconds later you have a complete film: every shot's frame, its narration, its captions. Watch it end to end.
  2. Fix the shot that's wrong — Swap that shot's image, rewrite that line. Untouched shots stay exactly as they were. No starting over.
  3. Then, and only then, render — Charging starts after you say yes — and it renders from the very frames you just watched.
  4. Still fixable after it ships — Right-click a shot on the timeline to re-shoot it. The one you had stays as a take, one undo away — included in your plan.

First two steps: 0 credits · Not a compressed cut, not a storyboard: a film you can watch end to end, revised as often as you like. And the loop does not stop at delivery — generators have no timeline, editors do not generate, so this is the only place you can re-shoot one shot while you cut.

Each of these started as one line.

Not a video wall. What you get back is the film's skeleton — every track still separate, still editable.

  • “A night-shift laundromat, 2am. Someone leaves something behind.” — 6 shots · 6 narration lines · score · 6 captions · Hold it down, then let go
  • “She knew every line. Nobody ever called her name.” — 4 shots · 4 narration lines · score · 4 captions · Withhold, then land on the call to act
  • “Nobody answered. That was the answer.” — 4 shots · 4 narration lines · score · 4 captions · Hold it down, then let go
  • “A lighthouse keeper who has never once seen a ship” — 4 shots · 4 narration lines · score · 4 captions · Hold it down, then let go
  • “Two people on a video call. One of them is a recording.” — 4 shots · 4 narration lines · score · 4 captions · Hold it down, then let go
  • “The last handwritten letter in a city that stopped writing” — 4 shots · 4 narration lines · score · 4 captions · Hold it down, then let go

Do not take my word. Drop a file in.

We read the name and the size, in your browser. Not one byte goes out.

In the real product, transcription, loudness analysis and keyframe extraction all finish inside this browser. By default only that text summary goes to the model.

Three exceptions: editing an image uploads that image, voice cloning uploads a voice sample, and turning on “let the AI see the footage” sends the extracted keyframes along with the summary (off by default, charged separately). Everything else stays on your device.

Move the whole workflow onto your machine.

Multi-track timeline, on-device transcription, Metal effects, export — all of it finishes on your Mac. It only reaches the gateway to generate a shot.

Download for macOS — Apple silicon · macOS 26+ · 76 MB download, about 210 MB installed

Unsigned: We do not have an Apple Developer certificate yet, so this build is neither signed nor notarized. The first launch will be blocked with a message about an unverified developer. Open System Settings → Privacy & Security and click Open Anyway at the bottom; on older macOS you can also right-click the icon in Finder and choose Open. You only do this once.

3 engines. Pick one per shot.

Every shot in a film can run on a different engine — same account, same picker, same credits.

  • Seedance 2.0 — Use it when someone talks on camera. Sound is generated with the picture, so the lips match and you never dub it later. The same person looks like the same person across shots.
  • Veo 3.1 — Use it for the one shot that carries the film. A face in close-up, the frame that needs 1080P, the frame people screenshot.
  • Our own engine — Use it for everything you throw away. Change the structure, the order, the lines — as many times as it takes — then decide which shots are worth paying for.

Pick one. Start today.

  • Subscription: $9.90/mo — 300 credits
  • Pro: $29.90/mo — 950 credits
  • Studio: $99/mo — 3300 credits
  • Top-up pack: $9.90 one-time — 220 credits
  • Subscribers draft on our own engine without per-shot charges — revise as often as you like, still free. Fair-use caps keep one account from taking all the capacity · Only shots that actually use Veo / Seedance are charged, itemized per shot · Bring your own API key and pay the model directly
Tiers & pricing
EngineRateSpec
local1 credits480P · 16fps · 3s
seedance30 credits720P · 24fps · 5s · native audio
veo56 credits1080P · 24fps · 8s · native audio

One line of config, and it is in your tools

Works with Claude Desktop, Cursor, and any MCP client — Integration docs

Don't take the text. Watch the four films.

3 films, 01:00 total, all landing on the same zero

  • One sentence, one film — Twenty-six real shots, every one of them made by the product itself.
    Four frames of what it makes. · One sentence: “She knew every line. Nobody ever called her name.” · She stands motionless in the wings, lips moving silently. · Applause swells — sharp, rhythmic, unmistakably live. · She turns — decisive, hopeful — toward the stage door. · The camera pulls back — revealing an empty stage. · One line: a lighthouse keeper who has never once seen a ship. · One line: nobody answered. That was the answer. · One line: two people on a video call. One of them is a recording. · One line: the last handwritten letter in a city that stopped writing. · One line: a night-shift laundromat, 2am. Someone leaves something behind. · Six films, six sentences. Shots, narration, score and captions stay separate tracks. · 0 credits to draft the whole film first — free draft, 480P, 0 credits. · One sentence. Make a video. metag.ai
  • Footage stays put — A 577.5 MB file goes in. Not one byte leaves the device, start to finish.
    Four frames of what it makes. · A 577.5 MB file goes in. It stays on this device; only a text summary is sent. · Bytes uploaded just now: 0. · A watermark removed inside the browser — 0 credits, nothing uploaded. · Transcription, loudness and keyframes all finish inside your browser. The bottom tier runs on our own GPUs — this is not an API reseller. · Your footage never leaves. Open the Network panel and check. metag.ai
  • Quoted before charged — The saving is not a lower price. It is the reworking you never have to do.
    Four frames of what it makes. · Every shot priced, before anything runs. Four shots, 120 credits. · The cursor is on “Approve to charge”. It is not pressed. · The next step is free: we render the whole film on our in-house tier first. Reshoot whatever came out wrong — still 0 credits. · The saving is not a lower price. It is the reworking. Drafts and per-shot rewrites cost 0 credits. · Pay when you are happy. Quoted first, charged after you approve. metag.ai
  • Into your toolchain — One line of config, and this is what the agent reads.
    Four frames of what it makes. · One line of config, and it is in your tools. Paste it into Claude Desktop or Cursor. · 14 tools, the moment you paste it. · Three engines. Pick one per shot — same account, same balance. · It is not just in your browser. It is in your agent's tool list. Quote first, charge only after approval. · One line of config. Then it is yours. Works with Claude Desktop, Cursor, and any MCP client. metag.ai

Distribution

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